ReadingAdventures

My lady, Fiammetta Bianchini, was plucking her eyebrows and biting color into her lips when the unthinkable happened and the Holy Roman Emperor's army blew a hole in the wall of God's eternal city, letting in a flood of half-starved, half-crazed troops bent on pillage and punishment.

Thus begins In the Company of the Courtesan, Sarah Dunant's epic novel of life in Renaissance Italy. Escaping the sack of Rome in 1527, with their stomachs churning on the jewels they have swallowed, the courtesan Fiammetta and her dwarf companion, Bucino, head for Venice, the shimmering city born out of water to become a miracle of east-west trade: rich and rancid, pious and profitable, beautiful and squalid.

With a mix of courage and cunning they infiltrate Venetian society. Together they make the perfect partnership: the sharp-tongued, sharp-witted dwarf, and his vibrant mistress, trained from birth to charm, entertain, and satisfy men who have the money to support her.

Yet as their fortunes rise, this perfect partnership comes under threat, from the searing passion of a lover who wants more than his allotted nights to the attentions of an admiring Turk in search of human novelties for his sultan's court. But Fiammetta and Bucino's greatest challenge comes from a young crippled woman, a blind healer who insinuates herself into their lives and hearts with devastating consequences for them all.

A story of desire and deception, sin and religion, loyalty and friendship, In the Company of the Courtesan paints a portrait of one of the world's greatest cities at its most potent moment in history: It is a picture that remains vivid long after the final page.

Skilled in passion, artful in deception, and driven by betrayal, she is the glittering center of the royal court - but the most desired woman of Renaissance France will draw the wrath of a dangerous adversary.

Paris, 1575. The consort of some of Europe's most influential men, Gabrielle Cheney is determined to secure her future by winning the heart of Henry, the Huguenot king of Navarre. As his mistress, Gabrielle hopes she might one day become the power behind the French throne. But her plans are jeopardized by Captain Nicholas Remy, a devoted warrior whose love Gabrielle desires - and fears - above all. She will also incur the malevolence of the Dark Queen, Catherine de Medici, whose spies and witch-hunters are legion, and who will summon the black arts to maintain her authority. With the lives of those she loves in peril, Gabrielle must rebel against her queen to fulfill a glorious destiny she has sacrificed everything to gain.

Alive with vivid detail and characters as vibrant as they are memorable, The Courtesan is a sweeping historical tale of dangerous intrigues, deep treachery, and one woman's unshakable resolve to honor her heart.

The fourth book in the popular Elm Creek Quilts series explores a question that has long captured the imagination of quilters and historians alike: Did stationmasters of the Underground Railroad use quilts to signal to fugitive slaves?

In her first novel, The Quilter's Apprentice, Jennifer Chiaverini wove quilting lore with tales from the World War II home front. Now, following Round Robin and The Cross Country Quilters, Chiaverini revisits the legends of Elm Creek Manor, as Sylvia Compson discovers evidence of her ancestors' courageous involvement in the Underground Railroad.

Alerted to the possibility that her family had ties to the slaveholding South, Sylvia scours her attic and finds three quilts and a memoir written by Gerda, the spinster sister of clan patriarch Hans Bergstrom. The memoir describes the founding of Elm Creek Manor and how, using quilts as markers, Hans, his wife, Anneke, and Gerda came to beckon fugitive slaves to safety within its walls. When a runaway named Joanna arrives from a South Carolina plantation pregnant with her master's child, the Bergstroms shelter her through a long, dangerous winter, imagining neither the impact of her presence nor the betrayal that awaits them.

The memoir raises new questions for every one it answers, leading Sylvia ever deeper into the tangle of the Bergstrom legacy. Aided by the Elm Creek Quilters, as well as by descendants of others named in Gerda's tale, Sylvia dares to face the demons of her family's past and at the same time reaffirm her own moral center. A spellbinding fugue on the mysteries of heritage, The Runaway Quilt unfolds with all the drama and suspense of a classic in the making.

Helene, the Countess Godwin, knows there is nothing more unbearably tedious than a virtuous woman. After all, she's been one for ten long years while her scoundrel of a husband lives with strumpets and causes scandal after scandal. So she decides it's time for a change -- she styles her hair in the newest, daring mode, puts on a shockingly transparent gown, and goes to a ball like Cinderella, hoping to find a prince charming to sweep her off her feet...and into his bed. But instead of a prince, she finds only her own volatile, infuriatingly handsome...husband, Rees, the Earl Godwin. They'd eloped to Gretna Green in a fiery passion, but passion can sometimes burn too hot to last.

But now, Rees makes her a brazen offer, and Helene decides to become his wife again...but not in name only. No, this time she decides to be very, very wicked indeed.